I am a designer shaped by a background where artistic expression existed quietly, almost unconsciously. A restrained legacy that I now seek to reclaim and express through my work.

My practice revolves around form, its construction, its tension, and the impact it creates. I have always been drawn to complex structures capable of conveying clear meaning. Stained glass is a key reference: fragmented elements coming together to form a unified, readable image.

This logic informs my approach to clothing. I do not aim to follow traditional garment structures, but to shift them. The body is not a limitation, but a starting point. The silhouette becomes a space where symmetry and asymmetry, construction and deconstruction coexist.

Garments act as extensions of an inner state. They do not simply dress the body, they translate, protect, and project. They become a visible response to tension, emotion, and personal narratives.

Through my work, I aim to introduce new forms and textures, often dark, dense, and layered. Materials that carry weight, presence, and emotional depth.

Each piece exists within a broader reflection on identity, the subconscious, and the structures that shape us, between what we show, what we hide, and what we become.